Lorenzo Ghiberti's Gates of Paradise : humanism, history, and artistic philosophy in the Italian Renaissance /

"This book examines the heretofore unsuspected complexity of Lorenzo Ghiberti's sculpted representations of Old Testament narratives in his Gates of Paradise (1425-52), the second set of doors he made for the Florence Baptistery and a masterpiece of Italian Renaissance sculpture. One of th...

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Bibliographic Details
Main Author: Bloch, Amy R., 1975- (Author)
Format: eBook
Language:English
Published: New York, NY : Cambridge University Press, 2016.
Subjects:
Online Access:View fulltext via EzAccess
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100 1 |a Bloch, Amy R.,  |d 1975-  |e author. 
245 1 0 |a Lorenzo Ghiberti's Gates of Paradise :  |b humanism, history, and artistic philosophy in the Italian Renaissance /  |c Amy R. Bloch. 
264 1 |a New York, NY :  |b Cambridge University Press,  |c 2016. 
300 |a 1 online resource (400 pages) :  |b illustrations 
336 |a text  |2 rdacontent 
337 |a computer  |2 rdamedia 
338 |a online resource  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
505 8 |a Machine generated contents note: 1. The Adam and Eve panel: the birth of creativity; 2. The Cain and Abel panel: fashioning thought and fate; 3. The Noah panel: architecture and politics emerge; 4. The Abraham and Isaac panel: from the competition to the Gates of Paradise; 5. The Jacob and Esau panel: perspective, vision, and memory; 6. The Joseph panel: speech acts in the piazza; 7. The Moses panel: sculpting the drama of nature; 8. The Joshua panel: the fate of art; 9. The David panel: Ghiberti, tragedian; 10. The Solomon and Queen of Sheba panel: a portrait of Ghiberti's Florence. 
520 |a "This book examines the heretofore unsuspected complexity of Lorenzo Ghiberti's sculpted representations of Old Testament narratives in his Gates of Paradise (1425-52), the second set of doors he made for the Florence Baptistery and a masterpiece of Italian Renaissance sculpture. One of the most intellectually engaged and well-read artists of his age, Ghiberti found inspiration in ancient and medieval texts, many of which he and his contacts in Florence's humanist community shared, read, and discussed. He was fascinated by the science of vision, by the functioning of nature, and, above all, by the origins and history of art. These unusually well-defined intellectual interests, reflected in his famous Commentaries, shaped his approach in the Gates. Through the selection, imaginative interpretation, and arrangement of biblical episodes, Ghiberti fashioned multi-textured narratives that explore the human condition and express his ideas on a range of social, political, artistic, and philosophical issues"--  |c Provided by publisher. 
588 |a Description based on print version record. 
590 |a Electronic reproduction. Ann Arbor, MI : ProQuest, 2016. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. 
600 1 0 |a Ghiberti, Lorenzo,  |d 1378-1455.  |t Gates of paradise. 
600 1 0 |a Ghiberti, Lorenzo,  |d 1378-1455  |x Criticism and interpretation. 
630 0 0 |a Bible.  |p Old Testament  |v Illustrations. 
655 4 |a Electronic books. 
776 0 8 |i Print version:  |a Bloch, Amy R.  |t Lorenzo Ghiberti's Gates of Paradise : humanism, history, and artistic philosophy in the Italian Renaissance.  |d New York, NY : Cambridge University Press, 2016  |h xxi, 359 pages ; 29 cm  |z 9781107099166 
797 2 |a ProQuest (Firm) 
856 4 0 |z View fulltext via EzAccess  |u https://ezaccess.library.uitm.edu.my/login?url=https://ebookcentral.proquest.com/lib/uitm-ebooks/detail.action?docID=4498752