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100301s2009 gw | s |||| 0|eng d |
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|a 9783540921950
|9 978-3-540-92195-0
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|a 10.1007/978-3-540-92195-0
|2 doi
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|a NX260
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|a H
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|a UB
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|a COM018000
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|a ART000000
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|a 004
|2 23
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|a Mazzola, Guerino B.
|e author.
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|a Flow, Gesture, and Spaces in Free Jazz
|b Towards a Theory of Collaboration /
|c by Guerino B. Mazzola, Paul B. Cherlin.
|h [electronic resource] :
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|a Berlin, Heidelberg :
|b Springer Berlin Heidelberg,
|c 2009.
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|a XIV, 141p. 70 illus.
|b online resource.
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
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|a text file
|b PDF
|2 rda
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|a Computational Music Science,
|x 1868-0305
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|a The scientific approach of this book transcends the limits of art literature in that it also develops geometric theories of gestures and distributed identities, also known as swarm intelligence. We exemplify this approach in the framework of free jazz, which is a prototypical creative and collaborative art form. Leader artists such as John Coltrane, Pharoah Sanders, Cecil Taylor, Sun Ra, The Art Ensemble of Chicago, Albert Ayler, Don Cherry, and Archie Shepp are presented in their strongest works and theories. The pillars of our theory of collaboration are built from psychologist Mihaly Csikszentmihalyi<U+0019>s flow, physicist Gilles Cht́elet<U+0019>s gestures, and computer scientist Bill Wulf's collaboratories.
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|a Computer science.
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|a Artificial intelligence.
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|a Information systems.
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|a Algebra.
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|a Music.
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|a Computer Science.
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|a Computer Appl. in Arts and Humanities.
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|a Music.
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|a Category Theory, Homological Algebra.
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|a Computational Science and Engineering.
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|a Media Design.
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|a Artificial Intelligence (incl. Robotics).
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|a Cherlin, Paul B.
|e author.
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|a SpringerLink (Online service)
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|t Springer eBooks
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|i Printed edition:
|z 9783540921943
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|a Computational Music Science,
|x 1868-0305
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|u https://ezaccess.library.uitm.edu.my/login?url=http://dx.doi.org/10.1007/978-3-540-92195-0
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|a ZDB-2-SCS
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|a Computer Science (Springer-11645)
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