B-sides, undercurrents and overtones peripheries to popular in music, 1960 to the present /
There are undercurrents and peripheral taste preferences that are a defining part of our individual and collective cultural experience. Music is no exception. Professor George Plasketes adapts the iconic 'A-side/B-side' dichotomy from the 45 r.p.m. for use as a unique conceptual, critical,...
| Main Author: | |
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| Format: | Electronic |
| Language: | English |
| Published: |
Farnham, England ; Burlington, VT :
Ashgate,
c2009.
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| Series: | Ashgate popular and folk music series.
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| Subjects: | |
| Online Access: | View fulltext via EzAccess MyiLibrary |
| LEADER | 03807cam a2200565Ma 4500 | ||
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| 003 | OCoLC | ||
| 005 | 20130711002404.0 | ||
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| 020 | # | # | |z 9780754665618 (hardcover : alk. paper) |
| 020 | # | # | |z 0754665615 (hardcover : alk. paper) |
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| 100 | 1 | # | |a Plasketes, George. |
| 245 | 1 | 0 | |a B-sides, undercurrents and overtones |b peripheries to popular in music, 1960 to the present / |c George Plasketes. |h [electronic resource] : |
| 260 | # | # | |a Farnham, England ; |a Burlington, VT : |b Ashgate, |c c2009. |
| 300 | # | # | |a 1 online resource (xii, 209 p.) |
| 490 | 1 | # | |a Ashgate popular and folk music series |
| 504 | # | # | |a Includes bibliographical references (p. [195]-201) and index. |
| 505 | 0 | # | |a Get your 45s on : Terry Melcher, lost in the surf and sun of the 1960s sound waves -- How the midwest was won : the Chicago suburbs seven, a mid 1960s regional rotation -- Covering outside the lines : Hans Fenger and the Langley Schools music project -- Geffen Records v. Neil Young : the battle of the brands -- Music and movie mutuality : Ry Cooder, the involved bystander -- World music missionaries : cross culture convergences -- The vital visual voice of the videotape editor : seamlessly sculpting Graceland : the African concert -- Rock around the cop : Bochco's Broadway blue print as television musical muse and martyr -- Must sing TV : pop rock sitcom cameo obscuras -- Umbilical musical chords : lineage, legacy, and mom and pop pedigree -- Die another day : Warren Zevon's desperado deteriorata. |
| 520 | # | # | |a There are undercurrents and peripheral taste preferences that are a defining part of our individual and collective cultural experience. Music is no exception. Professor George Plasketes adapts the iconic 'A-side/B-side' dichotomy from the 45 r.p.m. for use as a unique conceptual, critical, historical, and cultural framework for exploring and threading together a variety of popular music and media texts. The profiles and perspectives focus on the peripheries; on texts which might be considered 'B-sides' - overlooked, underappreciated, and unsung cases, creators, patterns and productions that ha. |
| 588 | # | # | |a Description based on print version record. |
| 650 | # | 0 | |a Popular music |x History and criticism. |z United States |
| 650 | # | 0 | |a Music |x History and criticism. |z United States |
| 650 | # | 4 | |a Popular music. |
| 650 | # | 7 | |a MUSIC |x Pop Vocal. |x Genres & Styles |2 bisacsh |
| 655 | # | 4 | |a Electronic books. |
| 776 | 0 | 8 | |a Plasketes, George. |d Farnham, England ; Burlington, VT : Ashgate, c2009 |i Print version: |t B-sides, undercurrents and overtones. |w (DLC) 2008046196 |
| 830 | # | 0 | |a Ashgate popular and folk music series. |
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