|
|
|
|
LEADER |
03747cam a22006854a 4500 |
001 |
26193 |
005 |
20150319014407.0 |
006 |
m o d |
007 |
cr cn||||||||| |
008 |
130327s2013 ncua ob 001 0 eng d |
019 |
# |
# |
|a 839672018
|
020 |
# |
# |
|a 0822393999 (electronic bk.)
|
020 |
# |
# |
|a 9780822393993 (electronic bk.)
|
020 |
# |
# |
|z 9780822349655 (cloth : alk. paper)
|
020 |
# |
# |
|z 0822349655 (cloth : alk. paper)
|
020 |
# |
# |
|z 9780822349808 (pbk. : alk. paper)
|
020 |
# |
# |
|z 0822349809 (pbk. : alk. paper)
|
035 |
# |
# |
|a (OCoLC)833047817
|z (OCoLC)839672018
|
040 |
# |
# |
|a YDXCP
|b eng
|c YDXCP
|d NDD
|d IDEBK
|d CUS
|d ZMC
|d N15
|d OCLCO
|d CDX
|d MHW
|d E7B
|d N$T
|d OCLCF
|d OCLCO
|
043 |
# |
# |
|a a-ja---
|
049 |
# |
# |
|a MAIN
|
050 |
# |
4 |
|a NX584.A1
|b M37 2013eb
|
072 |
# |
7 |
|a ART
|x 019000
|2 bisacsh
|
082 |
0 |
4 |
|a 709.52/09046
|2 23
|
100 |
1 |
# |
|a Marotti, William A.
|e author.
|q (William Arthur),
|
245 |
1 |
0 |
|a Money, trains, and guillotines
|b art and revolution in 1960s Japan /
|c William Marotti.
|h [electronic resource] :
|
260 |
# |
# |
|a Durham and London :
|b Duke University Press,
|c 2013.
|
300 |
# |
# |
|a 1 online resource (xxi, 417 pages) :
|b illustrations.
|
336 |
# |
# |
|a text
|2 rdacontent
|
337 |
# |
# |
|a computer
|2 rdamedia
|
338 |
# |
# |
|a online resource
|2 rdacarrier
|
490 |
1 |
# |
|a Asia-Pacific
|
504 |
# |
# |
|a Includes bibliographical references and index.
|
505 |
0 |
0 |
|g Part I.
|g Part III.
|g Part II.
|t The Vision of the Police --
|t The Occupation, the New Emperor System, and the Figure of Japan --
|t The Process of Art --
|t Artistic Practice Finds Its Object: The Avant-Garde and the Yomiuri Indépendant --
|t The Yomiuri Indépendant: Making and Displacing History --
|t The Yomiuri Anpan --
|t Art against the Police: Akasegawa Genpei's 1,000-Yen Prints, the State, and the Borders of the Everyday.
|t Theorizing Art and Revolution. --
|t Beyond the Guillotine: Speaking of Art/ Art Speaking --
|t Naming the Real --
|t The Moment of the Avant-Garde.
|
520 |
# |
# |
|a During the 1960s, a group of artists challenged the status quo in Japan through interventionist art. William Mariotti situates the artists in relation to postwar Japan and the international activism of the 1960s.
|
588 |
# |
# |
|a Description based on print version record.
|
648 |
# |
7 |
|a 1900 - 1999
|2 fast
|
650 |
# |
0 |
|a Arts, Japanese
|y 20th century.
|
650 |
# |
0 |
|a Arts
|x Political aspects
|x History
|y 20th century.
|z Japan
|
650 |
# |
0 |
|a Arts and society
|x History
|y 20th century.
|z Japan
|
650 |
# |
0 |
|a Avant-garde (Aesthetics)
|x History
|y 20th century.
|z Japan
|
650 |
# |
0 |
|a Politics and culture
|z Japan.
|
650 |
# |
7 |
|a ART / Asian
|2 bisacsh
|
650 |
# |
7 |
|a Arts and society.
|0 (OCoLC)fst00817856
|2 fast
|
650 |
# |
7 |
|a Arts, Japanese.
|0 (OCoLC)fst00818089
|2 fast
|
650 |
# |
7 |
|a Arts
|x Political aspects.
|0 (OCoLC)fst00817791
|2 fast
|
650 |
# |
7 |
|a Avant-garde (Aesthetics)
|0 (OCoLC)fst00824280
|2 fast
|
650 |
# |
7 |
|a Politics and culture.
|0 (OCoLC)fst01069952
|2 fast
|
651 |
# |
7 |
|a Japan.
|0 (OCoLC)fst01204082
|2 fast
|
655 |
# |
4 |
|a Electronic books.
|
655 |
# |
7 |
|a History.
|0 (OCoLC)fst01411628
|2 fast
|
776 |
0 |
8 |
|a Marotti, William A. (William Arthur)
|d Durham, N.C. : Duke University Press, 2013
|i Print version:
|t Money, trains, and guillotines
|w (OCoLC)805048374
|w (DLC) 2012033715
|z 0822349655
|z 9780822349808
|z 0822349809
|z 9780822349655
|
830 |
# |
0 |
|a Asia-Pacific.
|
856 |
4 |
0 |
|u https://ezaccess.library.uitm.edu.my/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=600588
|z View fulltext via EzAccess
|
938 |
# |
# |
|a YBP Library Services
|b YANK
|n 9917945
|
938 |
# |
# |
|a Ingram Digital eBook Collection
|b IDEB
|n cis25132498
|
938 |
# |
# |
|a Coutts Information Services
|b COUT
|n 25132498
|
938 |
# |
# |
|a ebrary
|b EBRY
|n ebr10674428
|
938 |
# |
# |
|a EBSCOhost
|b EBSC
|n 600588
|