Chinese documentaries from dogma to polyphony /

China, in recent years, has experienced a meteoric rise in documentary TV programmes. Chu discusses the various types of these documentaries, under both a planned and market economy.

Bibliographic Details
Main Author: Chu, Yingchi.
Format: Electronic
Language:English
Published: London ; New York : Routledge, 2007.
Series:Media, culture, and social change in Asia series ; 8.
Subjects:
Online Access:View fulltext via EzAccess
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245 1 0 |a Chinese documentaries  |b from dogma to polyphony /  |c Yingchi Chu.  |h [electronic resource] : 
260 # # |a London ;  |a New York :  |b Routledge,  |c 2007. 
300 # # |a 1 online resource (ix, 255 p.) 
490 1 # |a Routledge media, culture and social change in Asia series ;  |v 8 
504 # # |a Includes bibliographical references (p. [218]-237) and index. 
504 # # |a Includes filmography. 
505 0 # |a Introduction : writing about Chinese documentaries -- The documentary genre and Chinese documentaries -- Nationalism and the birth of Chinese documentary -- The dogmatic formula -- Media reform, documentary programming, and the new citizen -- Documenting the law -- Documenting the minorities -- The many voices of Chinese documentary -- Conclusion : documentary as critical discourse. 
520 # # |a China, in recent years, has experienced a meteoric rise in documentary TV programmes. Chu discusses the various types of these documentaries, under both a planned and market economy. 
588 # # |a Description based on print version record. 
650 # 0 |a Documentary films  |x History and criticism.  |z China 
650 # 0 |a Documentary films  |x Social aspects  |z China. 
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830 # 0 |a Media, culture, and social change in Asia series ;  |v 8. 
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