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|a 9780203873472 (electronic bk.)
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|z 9780415804530 (hardback)
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|a (OCoLC)466444256
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|a MUS
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|a 781
|2 22
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| 100 |
1 |
# |
|a Sarath, Ed.
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| 245 |
1 |
0 |
|a Music theory through improvisation
|b a new approach to musicianship training /
|c Edward Sarath.
|h [electronic resource] :
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| 260 |
# |
# |
|a New York :
|b Routledge,
|c 2010.
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| 300 |
# |
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|a 1 online resource (xviii, 369 pages) :
|b illustrations, music
|
| 336 |
# |
# |
|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 500 |
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|a Includes index.
|
| 504 |
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|a Includes bibliographical references and index.
|
| 505 |
0 |
# |
|a Improvisation across boundaries : a trans-stylistic approach -- Music fundamentals -- Modality and rhythm I : time feels -- Modality and rhythm II : small group framework -- Basic tonal materials : triads and seventh chords -- Harmonic functions -- Swing : gloval rhythmic gateway -- Melodic line construction and harmonization -- Chord inversion present and past -- Non-diatonic harmony I : applied chords -- Non-diatonic harmony II : modal mixture -- Figured bass realization at the keyboard -- Extended chords -- Altered extensions -- Diverse approaches to analysis -- Fine-tuning and expanding the jazz palette.
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| 506 |
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|f Restrictions unspecified
|2 star
|3 Use copy
|5 MiAaHDL
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| 520 |
# |
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|a Designed for Music Theory courses, Music Theory Through Improvisation presents a unique approach to basic theory and musicianship training that examines the study of traditional theory through the art of improvisation. The book follows the same general progression of diatonic to non-diatonic harmony in conventional approaches, but integrates improvisation, composition, keyboard harmony, analysis, and rhythm. The author's entirely new pathway places the study of harmony within improvisation and composition in stylistically diverse format, with Jazz and popular music serving as important stylist.
|
| 533 |
# |
# |
|a Electronic reproduction.
|b [S.l.] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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| 538 |
# |
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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| 583 |
1 |
# |
|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
|
| 588 |
0 |
# |
|a Print version record.
|
| 650 |
# |
0 |
|a Music theory.
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| 650 |
# |
0 |
|a Jazz
|x Instruction and study.
|
| 650 |
# |
0 |
|a Improvisation (Music)
|
| 650 |
# |
7 |
|a MUSIC
|x Theory.
|x Instruction & Study
|2 bisacsh
|
| 650 |
# |
7 |
|a Improvisation (Music)
|0 (OCoLC)fst00968306
|2 fast
|
| 650 |
# |
7 |
|a Jazz
|x Instruction and study.
|0 (OCoLC)fst00982179
|2 fast
|
| 650 |
# |
7 |
|a Music theory.
|0 (OCoLC)fst01030620
|2 fast
|
| 650 |
0 |
7 |
|a Musiktheorie.
|2 swd
|
| 650 |
0 |
7 |
|a Improvisation.
|2 swd
|
| 650 |
0 |
7 |
|a Jazz.
|2 swd
|
| 655 |
# |
4 |
|a Electronic books.
|
| 776 |
0 |
8 |
|a Sarath, Ed.
|d New York : Routledge, 2010
|i Print version:
|t Music theory through improvisation.
|w (OCoLC)297149213
|w (DLC) 2009009413
|z 9780415804530
|
| 856 |
4 |
0 |
|u https://ezaccess.library.uitm.edu.my/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=289840
|z View fulltext via EzAccess
|
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|a EBL - Ebook Library
|b EBLB
|n EBL452320
|
| 938 |
# |
# |
|a EBSCOhost
|b EBSC
|n 289840
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| 938 |
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|a Ingram Digital eBook Collection
|b IDEB
|n cis25836023
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|b YANK
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|a Taylor & Francis
|b TAFR
|n 9780203873472
|